What kind of demos do you accept?
We accept digital links. Please make sure that you’ve watched your demo before sending it to us. Nothing is more frustrating (or unprofessional) than a link that has no audio or doesn't work.
We accept digital links. Please make sure that you’ve watched your demo before sending it to us. Nothing is more frustrating (or unprofessional) than a link that has no audio or doesn't work.
We’ve been doing this for a long time and have hired hundreds of talent. We look for the “WOW” factor or the POTENTIAL for “WOW!”
There are thousands of people who want to be on TV. We both want to be successful. Remember this is a subjective business. A thick skin is needed. If we say “no”, someone else may say “superstar.” Persistence.
That totally depends on what job you’re applying for.
Generally speaking, on-air talent should have a brief montage of your absolute best work, followed by a couple of minutes of continuous anchor segments and then a couple of examples of your best reporting. Your demo should be no longer than 15 minutes. Producers should include entire shows, edited for commercials, and include a written self-critique and background about the show, resources, etc.
We’re not in the editing business. You work in a multi-million dollar facility that has the most expensive and hopefully the latest video/audio equipment available.
We will work closely with you to choose and agree upon the best content for your demo.
We will NEVER send a composite tape of multiple clients.
We market you as an individual, matching your skills with the company’s needs. Sometimes clients will be interested in the same jobs but ultimately it’s the choice of the station on who best fits what they’re looking for.
Absolutely not!
We’re on the phone constantly with managers across the country, with stations/networks in LA, Chicago, NY, DC, Atlanta, Orlando, etc. It’s not “where” you are located; it’s the quality of your talent, the specific need of the company, and the reputation of your agency.
We can tell you from experience that while a reputable agent can get a ND or recruiter to LOOK at your demo, only YOUR talent will make them want to hire you. No company is going to hire someone just because “Mr. Bigshot Agent X” called and said so. And keep in mind, agents at those big agencies are competing against each other for the job you want.
Yes. We believe that everyone deserves an opportunity to have their work viewed and their skills evaluated. We’re a very selective agency so we cannot possibly offer representation to everyone. Those that are chosen can feel confident that we see great potential and promise in your work.
While it’s true that entry-level salaries are pitiful, do you know what the going rate is? What if the news director says you MUST sign three years or even five years with no outs? What protection do you have in your contract? What happens if you’re laid off or fired? What are the other people making in similar positions in the market? What protection do you have if a much larger station offers you triple your salary in two years? Who’s going to give you feedback on your story construction? Wardrobe? Writing? Delivery? What if they hired me as a reporter and now want me to anchor but don’t want to pay more money because I’m already “under contract?” If you feel comfortable sitting in the ND or GMs office arguing these points, then you probably don’t need us. Rest assured, we do offer commission structures for entry-level positions.
No, but we have negotiated hundreds of contracts. Unless you’re hiring a very specialized attorney in entertainment/broadcast law, you will get a call from your dad’s friend who’s an attorney telling you how “crazy you are” to sign either the contract with the station you showed them or your representation agreement. They simply don’t understand the industry. You wouldn’t go to a podiatrist for new glasses or a plumber to wire your house. Rest assured, we do have media savvy General Counsel should the need arise for legal opinions.
Congrats to producer client Evan Hirsch who moved to MSNBC's Meet The Press Daily from CBS This Morning.
Congrats to producer client Melanie Kennedy whose moved to WNBC- TV in New York from WOIO-TV in Cleveland.
Congrats to FOX Business Network Executive Producer Brad Hirst. The show he oversees Countdown to the Closing Bell with Liz Claman is ranked #3 in business shows nationwide.
Kelton Wells has been promoted to Nightside Executive Producer at KSTU-TV in Salt Lake City from producer.
WOIO investigative reporter SCOTT TAYLOR is joing us as a client.
We're happy to welcome WMAR-TV anchor CHARLES CROWSON to our Agency.
After 12 years as primary anchor at KOKI-TV in Tulsa, OK - CHERA KIMIKO signs a deal to become the primary anchor at another station in the marekt.
KIM QUINTERO joins KTVK-TV Phoenix, AZ as weekend meteorologist from the same position at WYFF-TV in Greenville, SC.
KEVIN McCARTHY joins 'Fox & Friends' on the Fox News Channel as an entertainment reporter/film critic.
AMANDA ZITZMAN joins us as a new client from WLTV-TV in Jacksonville, FL.
ANTHONY BAILEY re-signs as weekend meteorologist and investigative reporter at KBAK-TV in Bakersfield, CA.
Proud to announce Tulsa superstar anchor CHERA KIMIKO is joining our client list.
We're happy to welcome former New Jersey Nets personality JACLYN SABOL to our client list.
JOCE STERMAN, senior investigative reporter and weekend anchor at WMAR-TV, joins as a new client.
After graduating from ASU, LINA WASHINGTON is headed to KGET-TV in Bakersfield, CA as weekend sports anchor.
After a whirlwind of offers, MARC MULLINS heads to WRTV-TV in Indianapolis as AM anchor from anchor/reporter at KMTR-TV in Eugene, Oregon.
After starting out part-time, MIKE MASCO becomes a staff meteorologist at WMAR-TV in Baltimore.
Former "Project Runway" model XAVIERA TYTLER joins us as a new client.
ADRIENNE MOORE moves across the country to Post-Newsweek's WJXT-TV as weekend anchor. She leaves KFMB-TV in San Diego.
KO IM makes a huge jump to WUSA-TV, Washington DC as a reporter from reporter/anchor at WBOC in Salisbury, MD